AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 41
Pagina 168
... specific subtleties are a matter of quick apprehension . Thus the articulation of works of art , either by grasping technical means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re ...
... specific subtleties are a matter of quick apprehension . Thus the articulation of works of art , either by grasping technical means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re ...
Pagina 184
... specific determinations of which in a given case constitute the pattern of any actual play . Individual interest and expressiveness are no more determinately definable in the broad terms of a general definition than is the specific ...
... specific determinations of which in a given case constitute the pattern of any actual play . Individual interest and expressiveness are no more determinately definable in the broad terms of a general definition than is the specific ...
Pagina 190
... specific features in their determi- nate character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little ...
... specific features in their determi- nate character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words