AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 64
... string pro- duces a higher sound than a longer stretched string . And obviously any part of a string in vibration would sound a higher pitch than the whole of the same string , simply because the part is smaller than the whole and ...
... string pro- duces a higher sound than a longer stretched string . And obviously any part of a string in vibration would sound a higher pitch than the whole of the same string , simply because the part is smaller than the whole and ...
Pagina 65
... string produces a sound , although a great deal of what we hear is at the pitch corresponding to the vibration rate of the whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the ...
... string produces a sound , although a great deal of what we hear is at the pitch corresponding to the vibration rate of the whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the ...
Pagina 67
... string into halves doubles the vibration rate , and into thirds multiplies the rate by three , instead of speaking of a note with pitch corresponding to the vibration rate of half the string length , we can speak of this same note as at ...
... string into halves doubles the vibration rate , and into thirds multiplies the rate by three , instead of speaking of a note with pitch corresponding to the vibration rate of half the string length , we can speak of this same note as at ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words