AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 53
... structure , carry structure in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they ...
... structure , carry structure in their very nature . But without visually perceptible , that is to say colored , area , no spatial pattern can be sensuously present . Even figures in geometry must be black against white or gray if they ...
Pagina 79
... structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural ...
... structural basis as geometry . The fundamental pitch continuum is one necessary con- dition of this basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural ...
Pagina 137
... structure when any other such elements are selected and added to the two constitut- ing the original structural contrast . The case is not roughly analogous , merely , but essen- tially the same , as that of spatial elements . In a ...
... structure when any other such elements are selected and added to the two constitut- ing the original structural contrast . The case is not roughly analogous , merely , but essen- tially the same , as that of spatial elements . In a ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words