AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 22
Pagina 19
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
... suggested are not only sensuous but emotionally toned , and the structural relations are sensu- ous relations apprehended sensuously and with feeling . Thus we run no risk of formalizing the subject in such a way as to neglect the ...
Pagina 22
... suggested , by saying that aesthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing ...
... suggested , by saying that aesthetic objects are structures dependent on relations , some of which are qualitative and not numerical or spatio- temporal . For any full grasp of the significance of such relations , whether in composing ...
Pagina 82
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable - the yellow of gold or the brilliance of jewels against flesh or ...
... suggested single colors , but also such color contrasts and harmonies as various natural appearances in the world suggested and made familiar to men and acceptable - the yellow of gold or the brilliance of jewels against flesh or ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words