AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 96
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
Pagina 105
... syllables in the words of intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible ...
... syllables in the words of intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible ...
Pagina 122
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words