AEsthetic Analysis |
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Pagina 9
Once we have taken definitely into account this unequivocally emotional
character of directly intuited qualitative presentation , there is no great danger of
misconception in marking off the æsthetic as simply the top level of all that is
consciously ...
Once we have taken definitely into account this unequivocally emotional
character of directly intuited qualitative presentation , there is no great danger of
misconception in marking off the æsthetic as simply the top level of all that is
consciously ...
Pagina 122
Not that sions is necessarily held out quite so long as this , but that one does not
start another word following sessions , until three equal counts have been filled
out , each of the length of time taken for the first syllable . It will be found that this ...
Not that sions is necessarily held out quite so long as this , but that one does not
start another word following sessions , until three equal counts have been filled
out , each of the length of time taken for the first syllable . It will be found that this ...
Pagina 145
... as an aspect of it , that is , integral to its actually present character , or as its
unitary qualitative nature as a whole . The distinction of the spiritual from the
material , when this distinction is taken to involve an actual separation in
existence ...
... as an aspect of it , that is , integral to its actually present character , or as its
unitary qualitative nature as a whole . The distinction of the spiritual from the
material , when this distinction is taken to involve an actual separation in
existence ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole