AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 9
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no ...
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no ...
Pagina 122
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
Pagina 145
... taken to involve an actual separation in existence of one from the other , is so ancient and established that we are involved in an almost ineradicable confusion by bringing in the word embodiment at all . But we cannot remove the ...
... taken to involve an actual separation in existence of one from the other , is so ancient and established that we are involved in an almost ineradicable confusion by bringing in the word embodiment at all . But we cannot remove the ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words