AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 56
... temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative structure . A note ...
... temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative structure . A note ...
Pagina 96
... temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time may mean , one temporal characteristic is the ...
... temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time may mean , one temporal characteristic is the ...
Pagina 110
... temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no ...
... temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words