AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 96
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
Pagina 103
... temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed ... aspect of verse pattern , whether or not it is properly to be called the rhythm of verse . Distinguishing this one aspect ...
... temporal forward progress . Since our attentive processes will thus be alternately tensed in expectation and relaxed ... aspect of verse pattern , whether or not it is properly to be called the rhythm of verse . Distinguishing this one aspect ...
Pagina 110
... temporal aspect of changing things has led men from early times to speak as if this abstracted character of events were a real something in which they had their being , whereas all the being that time as such has is the abstract temporal ...
... temporal aspect of changing things has led men from early times to speak as if this abstracted character of events were a real something in which they had their being , whereas all the being that time as such has is the abstract temporal ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words