AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 36
Pagina 97
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
Pagina 110
... temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly ...
... temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly ...
Pagina 125
David Wight Prall. neither by accent alone , nor by temporal pattern alone , nor by ictus or pulse , but by all these and many other factors . What we have been attempting here is to single out one of these factors , which is at least of ...
David Wight Prall. neither by accent alone , nor by temporal pattern alone , nor by ictus or pulse , but by all these and many other factors . What we have been attempting here is to single out one of these factors , which is at least of ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words