AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 47
... tern made up of a succession of notes at distinguishable intervals from one another , and heard as at these intervals . And this quite regardless of any special set of intervals chosen , or of our having technical musical names for the ...
... tern made up of a succession of notes at distinguishable intervals from one another , and heard as at these intervals . And this quite regardless of any special set of intervals chosen , or of our having technical musical names for the ...
Pagina 105
... tern to be apprehended readily as clearly specified . In mu- sic , where also slightly increased loudness is the normal means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the ...
... tern to be apprehended readily as clearly specified . In mu- sic , where also slightly increased loudness is the normal means of indicating the beginnings of measures , any ele- ment may take on increased loudness without changing the ...
Pagina 129
... tern of measures numerically subdivided . And it does not commit the obvious absurdity of dividing into five units— highly cultivated late modern development — those nat- ural , easy lines of English poetry which are called , on a basis ...
... tern of measures numerically subdivided . And it does not commit the obvious absurdity of dividing into five units— highly cultivated late modern development — those nat- ural , easy lines of English poetry which are called , on a basis ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words