AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 24
... things . It is a fact , for example , that men feel differently about things . Omnis- cience would have to grasp all these different feelings , and all at once , so as to see exactly how one differed from every other ; it would have to ...
... things . It is a fact , for example , that men feel differently about things . Omnis- cience would have to grasp all these different feelings , and all at once , so as to see exactly how one differed from every other ; it would have to ...
Pagina 33
... things at a time , and so to drop other aspects out of attention . But this involves neither destruction nor falsifica- tion . It does not involve destruction , because it is logical process in us , not physical operation on things . It ...
... things at a time , and so to drop other aspects out of attention . But this involves neither destruction nor falsifica- tion . It does not involve destruction , because it is logical process in us , not physical operation on things . It ...
Pagina 110
... things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly abstracted and thought of without thinking of all the other aspects of things , ex ...
... things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly abstracted and thought of without thinking of all the other aspects of things , ex ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words