AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina v
... timbre , or tone quality of the sounds , seemed to be interfering . The more I experimented with alternative tunings , the more it appeared that certain kinds of scales sound good with some timbres and not with others . Certain kinds of ...
... timbre , or tone quality of the sounds , seemed to be interfering . The more I experimented with alternative tunings , the more it appeared that certain kinds of scales sound good with some timbres and not with others . Certain kinds of ...
Pagina
... timbre (in German Klangfarben, the “color” of sound) as the first conscious statement concerning a prolongation of harmony into spectrality. The term “Klangfarben” does not refers to the cause of sound (as the French word “timbre ...
... timbre (in German Klangfarben, the “color” of sound) as the first conscious statement concerning a prolongation of harmony into spectrality. The term “Klangfarben” does not refers to the cause of sound (as the French word “timbre ...
Pagina 580
... timbre's multidimensional nature complicates any such conceptual consistency. This descriptive ambiguity was recognized as early as the eleventh century, and it continues to affect the way that timbre is understood and studied today.4 ...
... timbre's multidimensional nature complicates any such conceptual consistency. This descriptive ambiguity was recognized as early as the eleventh century, and it continues to affect the way that timbre is understood and studied today.4 ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words