AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 39
... timbres of in- struments or differences in loudness and softness . But what musical notation indicates , so far as it indicates pitch , is an abstract aspect of sound . Pitch without a degree of loudness , without a given timbre ...
... timbres of in- struments or differences in loudness and softness . But what musical notation indicates , so far as it indicates pitch , is an abstract aspect of sound . Pitch without a degree of loudness , without a given timbre ...
Pagina 76
... timbre of the fundamental ( which is the effect of all the partials in it combined in a distinctive quality ) ; the loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so ...
... timbre of the fundamental ( which is the effect of all the partials in it combined in a distinctive quality ) ; the loudness necessary to our hearing either the fundamental or its partials , and to discriminating the intervals so ...
Pagina 110
... timbre . But this temporal aspect is to be discriminated in all experi- ence , whereas in pitch we have what is to be discriminated only in sound . At this point the objection that we are to meet in the present chapter becomes most ...
... timbre . But this temporal aspect is to be discriminated in all experi- ence , whereas in pitch we have what is to be discriminated only in sound . At this point the objection that we are to meet in the present chapter becomes most ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words