AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina xxiv
... tion to one another . The unfortunate aspect of all this is that the significance of the overtone series has been so abused that many musicians and theorists - especially those in or inclined towards the avant garde - see red at its ...
... tion to one another . The unfortunate aspect of all this is that the significance of the overtone series has been so abused that many musicians and theorists - especially those in or inclined towards the avant garde - see red at its ...
Pagina 191
... tion . Or rather , it is with respect to sculpture that we have suffered most , and lost most , by our disingenuous or con- fused or naļve attempts to find in it something much more obvious and less significant , something much more ...
... tion . Or rather , it is with respect to sculpture that we have suffered most , and lost most , by our disingenuous or con- fused or naļve attempts to find in it something much more obvious and less significant , something much more ...
Pagina 207
... tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 ...
... tion , 169 ; distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 ...
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abstract accent acquaintance actual adequate aesthetic ęsthetic content ęsthetic experience ęsthetic objects ęsthetic surface ęsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words