AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 110
... little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do best to take first some ordinary English words , then some sequences of words , and then some familiar English verse IIO ÆSTHETIC ANALYSIS.
... little relation to iambs and trochees and dactyls , or to tetrameters and pentameters , we shall do best to take first some ordinary English words , then some sequences of words , and then some familiar English verse IIO ÆSTHETIC ANALYSIS.
Pagina 125
... Trochees substituted for iambs are not of this sort . From our scheme it is plain enough that neither iamb nor trochee properly names any actual unit of the temporal pattern of blank verse , for example , where prosodists con- stantly ...
... Trochees substituted for iambs are not of this sort . From our scheme it is plain enough that neither iamb nor trochee properly names any actual unit of the temporal pattern of blank verse , for example , where prosodists con- stantly ...
Pagina 130
... trochees for iambs . What is mainly misrepresentative in this de- scription is the suggestion that the lines differ in length temporally and hence rhythmically . A simple check by means of any ordinary reading of the stanzas will show ...
... trochees for iambs . What is mainly misrepresentative in this de- scription is the suggestion that the lines differ in length temporally and hence rhythmically . A simple check by means of any ordinary reading of the stanzas will show ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words