AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 27
Pagina 36
... various grades of steepness ; it is wet or dry , hard or soft ; it is light dark , and it may be dangerous or safe for a thousand different reasons , because it is much or little traveled , or because it runs along the edge of a steep ...
... various grades of steepness ; it is wet or dry , hard or soft ; it is light dark , and it may be dangerous or safe for a thousand different reasons , because it is much or little traveled , or because it runs along the edge of a steep ...
Pagina 61
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
... various as the modes of intelligent mind may be . For intelligence has one sole aim that defines its nature . That is to say , we require some de- gree of familiar intimacy with our world ; and since we are human beings , it is humanly ...
Pagina 140
... various species of counterpoint . For practice , a student colors a simple spatial design with variations limited , say , to three hues all at the same degree of brightness and of saturation . But these are exercises to gain familiarity ...
... various species of counterpoint . For practice , a student colors a simple spatial design with variations limited , say , to three hues all at the same degree of brightness and of saturation . But these are exercises to gain familiarity ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words