AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 37
Pagina 106
... verse presentation and its apprehension . Monosyllables cented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same monosyllable ...
... verse presentation and its apprehension . Monosyllables cented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same monosyllable ...
Pagina 111
... verse to music in this same respect of temporal pattern . The musical quality of verse is a loose phrase for many aspects of verse which in some cases have the same nature and in some cases a very different nature from aspects of music ...
... verse to music in this same respect of temporal pattern . The musical quality of verse is a loose phrase for many aspects of verse which in some cases have the same nature and in some cases a very different nature from aspects of music ...
Pagina 117
... verse like ballad metre , for example , is described as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
... verse like ballad metre , for example , is described as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words