AEsthetic Analysis |
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Pagina 64
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
Pagina 67
a vibration rate three times that corresponding to the pitch of the fundamental .
Since dividing the length of the string into halves doubles the vibration rate , and
into thirds multiplies the rate by three , instead of speaking of a note with pitch ...
a vibration rate three times that corresponding to the pitch of the fundamental .
Since dividing the length of the string into halves doubles the vibration rate , and
into thirds multiplies the rate by three , instead of speaking of a note with pitch ...
Pagina 71
Let us consider the rate of vibration giving the pitch of the fundamental to be x .
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the ...
Let us consider the rate of vibration giving the pitch of the fundamental to be x .
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements emotional example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp human indicate individual intelligible intensity interest intervals intrinsic kind knowledge language least length less marked matter means measure merely names nature notes object obvious octave once organism particular pattern physical pitch possible present processes qualitative relations require response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface systematic taken temporal temporal pattern theory things tion Tonic variations verse vibration whole