AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 49
Pagina 65
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
Pagina 147
David Wight Prall. itself is not the whole of everything , not the whole world , but just this perspective . Abstraction is involved in ab- sorbed attention to a given content in two ways only , as its condition , which is previous ...
David Wight Prall. itself is not the whole of everything , not the whole world , but just this perspective . Abstraction is involved in ab- sorbed attention to a given content in two ways only , as its condition , which is previous ...
Pagina 166
... whole responding self , and they function to give us only the vaguest sensory data unless we have the organic means of correlating them into a whole . If that whole is a feeling totally out of the of our powers , because it is ...
... whole responding self , and they function to give us only the vaguest sensory data unless we have the organic means of correlating them into a whole . If that whole is a feeling totally out of the of our powers , because it is ...
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Parole e frasi comuni
abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words