AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 122
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
... words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second ...
Pagina 127
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
... words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead of being directly expressive , though a little sweeter and tenderer for the simple ...
Pagina 164
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
... words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents meanings . When an indirect symbolic medium like language functions æsthetically , it is in two ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words