Wordsworth, Dialogics and the Practice of Criticism
Cambridge University Press, 28 feb 1992 - 288 pagine
In recent decades, Wordsworth's poetry has become a point of focus for a great many of the proliferating schools of criticism and theoretical paradigms that dominate modern literary studies. Don Bialostosky here addresses the problem that the multiplicity of criticism has outrun the capacity to respond to it, often leaving teaching practices behind in their reflection of older models of literary study. Bialostosky's method draws on the work of Bakhtin and his followers to create a "dialogic" critical synthesis of what Wordsworth's readers--from Coleridge to de Man--have made of his poetry. He reveals an understanding of Wordsworth's poetry as itself "dialogically" responding to its various contexts, and opens up fruitful possibilities for current criticism and teaching of Wordsworth. This challenging book uses the case of Wordsworth studies to make a far-reaching survey of modern literary theory and its implications for the practice of criticism and teaching today.
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Displacing Coleridge replacing Wordsworth
Wordsworths dialogic art
Social action in The Solitary Reaper
What de Man has made of Wordsworth
The revival of rhetoric and the reading
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acknowledge action active alternative analysis appears Arac argument assertion attention authority Bakhtin become calls Chapter claims Coleridge Coleridge's common consciousness constitution construction context continuing critical dialogic discourse displace distinction effect English epitaph essay evidence experience figures follows genre give hear human identifies imagination inquiry interests interpretation knowledge language lines linguistic listeners literary literature lyric Man's Marxism meaning mind nature notes object opening paradox passage pleasure poem poet poet's poetic poetry political position possible practice Prelude present produce provoked question readers reading recent recognize reflection relation represent response rhetorical Romantic says School sense shape share situation social sonnet speaker speaking speech structure suggests teaching temporality theme theory thought tone tradition trope turns understanding University Press utterance voices Westminster Bridge Wordsworth Wordsworth's poetry Wordsworthian writing York
Magic, Rhetoric, and Literacy: An Eccentric History of the Composing Imagination
William A. Covino
Anteprima limitata - 1994
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