Painting and Sculpture in Europe, 1880-1940Yale University Press, 1 gen 1993 - 621 pagine This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age. |
Sommario
Foreword | 11 |
Later Impressionism | 21 |
Symbolist Art | 75 |
Expressionism | 157 |
Georges Rouault | 176 |
Wilhelm Lehmbruck | 185 |
Cubism | 235 |
Abstract and NonObjective Art | 303 |
Other Schools and Masters | 473 |
192040 | 484 |
Oscar Kokoschka | 490 |
190040 | 499 |
192040 | 506 |
Stanley Spencer and Henry Moore | 512 |
Notes | 521 |
List of Illustrations | 592 |
Altre edizioni - Visualizza tutto
Painting and Sculpture in Europe, 1880-1940, Volume 29 George Heard Hamilton Anteprima non disponibile - 1993 |
Painting and Sculpture in Europe, 1880-1940, Volume 29 George Heard Hamilton Anteprima non disponibile - 1993 |
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abstract art admired aesthetic architecture Art Nouveau artists Bauhaus became Berlin Blaue Reiter Braque Breton bronze Brücke canvas catalogue century Cézanne Cézanne's Chirico colour composition contemporary created criticism Cubist Dada decorative Degas drawings Duchamp earlier early elements Émile Bernard English Ernst exhibition experience expression Expressionism Fauve Fauvism figures formal France French Futurist Gauguin geometrical German Gogh human images Impressionism Impressionist Jugendstil Kandinsky Kandinsky's Klee Kunst landscapes later Léger less London Malevich masters Matisse Max Ernst ment Miró Modern Art Mondrian Monet movement Munich Musée Museum of Art Museum of Modern Nabis nature non-objective nude objects painters painting Paris Paul Paul Gauguin Picasso pictorial picture planes portraits primitive Private Collection psychological reality relation Renoir Rodin Russian Salon d'Automne sculpture seen Seurat Sezession space spiritual Stijl surface Surrealism Surrealist symbolic Symbolist Tate Gallery technique themes tion traditional Vincent van Gogh visual York Zürich