Björk's Homogenic

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Bloomsbury Publishing USA, 5 ott 2017 - 160 pagine
In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting.
 

Sommario

Im going hunting
1
Björks crisis
5
Björks escape
17
Björks friends
31
Björks noises
45
Björks characters
59
Björks national anthems
71
Björks loves
89
Björks images
101
Björks virtual realities
117
Notes
131
Selected Bibliography
143
Also available in the series
145
Copyright

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Informazioni sull'autore (2017)

Emily Mackay is a freelance writer and editor based in Southend-on-Sea, UK. In her career, she has been to a party at Prince's house, ordered out of a car at gunpoint by the LAPD and helped Thurston Moore steal a sofa. Her favourite though, was being driven around Reykjavík by Björk in her Landrover.

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