The New Criticism: An Anthology of Modern Aesthetics and Literary Criticism

activity æsthetic form analysis Aristotle artist attitude balance Baroque beauty become Beethoven believe Benedetto Croce body called century character classicism color comedy complete conceived concept consciousness Criticism desire distinction dream elements embodiment emotion esthetic evolution existence experience expression fact feeling function give Goethe human human voices humour I. A. Richards ideas images imagination imitation impressions impulses instinctive intellectual interest intuition intuitive knowledge J. B. S. Haldane J. W. N. Sullivan Joyce judgment kind knowledge less literature living means ment merely mind moral myth nature object organ painting passion pattern perception personality philosophy Plato pleasure poem poet poetic poetry principle psychology pure Ramon Fernandez reality reason relation rhythm romanticism scientific sensation sense soul spirit Stendhal style T. S. Eliot theme theory things thought tion true truth Ulysses unity whole words writing καὶ