Kierkegaard's Writings, Volume 3Princeton University Press, 1978 |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 143
... tragedy , diávoia naì ñ005 [ thought and character ] , ' but he also notes that the primary factor is the téλos ... tragedy . 12 What specifically characterizes ancient tragedy is that the action does not proceed only from character ...
... tragedy , diávoia naì ñ005 [ thought and character ] , ' but he also notes that the primary factor is the téλos ... tragedy . 12 What specifically characterizes ancient tragedy is that the action does not proceed only from character ...
Pagina 147
... tragedy should arouse fear and compassion [ Medlidenhed ] in the spectator . 20 I recall that Hegel in his ... tragedy just as much as ancient tragedy . But what he adds with regard to true com- passion is true and powerful : " das ...
... tragedy should arouse fear and compassion [ Medlidenhed ] in the spectator . 20 I recall that Hegel in his ... tragedy just as much as ancient tragedy . But what he adds with regard to true com- passion is true and powerful : " das ...
Pagina 148
... tragedy , one may say : In ancient tragedy , the sorrow is more profound , and in the corresponding consciousness the sorrow is more profound . It must continually be kept in mind that this is not in me but in the tragedy and that , in ...
... tragedy , one may say : In ancient tragedy , the sorrow is more profound , and in the corresponding consciousness the sorrow is more profound . It must continually be kept in mind that this is not in me but in the tragedy and that , in ...
Sommario
THE IMMEDIATE EROTIC STAGES | 49 |
THE TRAGIC IN ANCIENT Drama | 137 |
THE FIRST Love | 243 |
Copyright | |
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Parole e frasi comuni
able absolute actually Adam Gottlob Oehlenschläger Antigone anxiety ASKB aunt beautiful become Charles Clavigo comic continually Copenhagen Cordelia Danish Danish philosophy dare deceiver Dervière desire Don Giovanni Don Juan Either/Or Elvira Emmeline engaged erotic love esthetic eternity everything expression eyes Faust fear feel final draft following paragraph forget G.W.F. Hegel Greek Greek mythology happy hear heart I-II idea individual infinite interest Johan Ludvig Heiberg JOHANNES Kierkegaard kiss Leporello letter live Loeb look means Molière mood Mozart nature never nevertheless occasion once opera pain passion perhaps person philosophy play poet present recollection reference relation Rinville secret seducer sense sensuous situation sketch someone Søren Kierkegaard soul speak spirit stage Supplement thereby thing thought tion tragedy tragic turn unhappy W. D. Ross walk Werke whole wish woman words young girl