Ęsthetic as Science of Expression and General Linguistic

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Macmillan and Company, Limited, 1909 - 403 pagine
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XII
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Pagina 1 - KNOWLEDGE HAS TWO FORMS: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the intellect; knowledge of the individual or knowledge of the universal; of individual things or of the relations between them: it is, in fact, productive either of images or of concepts.
Pagina 6 - Intuition is the undifferentiated unity of the perception of the real and of the simple image of the possible. ^ In our intuitions we do not oppose ourselves as empirical beings to external reality, but we simply objectify our impressions, whatever they be.
Pagina 113 - One can ask oneself how an ornament can be joined to expression. Externally ? In that case it must always remain separate. Internally? In that case, either it does not assist expression and mars it ; or it does form part of it and is not ornament, but a constituent element of expression, indistinguishable from the whole.
Pagina 35 - By elaborating his impressions, man frees himself from them. By objectifying them, he removes them from him and makes himself their superior. The liberating and purifying function of art is another aspect and another formula of its character as activity. Activity is the deliverer, just because it drives away passivity.
Pagina 84 - The true artist, in fact, finds himself big with his theme, he knows not how; he feels the moment of birth drawing near, but he cannot will it or not will it.
Pagina 27 - The proposition that art is imitation of nature has also several meanings. Sometimes truths have been expressed or at least shadowed forth in these words, sometimes errors have been promulgated. More frequently, no definite thought has been expressed at all. One of the scientifically legitimate meanings occurs when "imitation" is understood as representation or intuition of nature, a form of knowledge. And when the phrase is used with this intention, and in order to emphasize the spiritual character...
Pagina 22 - Certain men have a greater aptitude, a more frequent inclination fully to express certain complex states of the soul. These men are known in ordinary language as artists. Some very complicated and difficult expressions are not often achieved, and these are called works of art. The limits of the expression-intuitions that are called art, as opposed to those that are vulgarly called non-art, are empirical and impossible to define. If an epigram be art, why not a simple word?
Pagina 83 - If," he goes on : If after this we should open our mouths and will to open them, to speak, or our throats to sing, and declare in a loud voice and with extended throat what we have completely said or sung to ourselves ; or if we should stretch out and will to stretch out our hands to touch the notes of the piano, or to take up the brushes and the chisel, making thus in detail those movements which we have already done rapidly, and doing so in such a way as to leave more or less durable traces ; this...
Pagina 16 - This passage is sometimes far from easy. It has been observed by those who have best studied the psychology of artists that when, after having given a rapid glance at any one, they attempt to obtain a real intuition of him, in order, for example, to paint his portrait, then this ordinary vision, that seemed so precise, so lively, reveals itself as little better than nothing.
Pagina 3 - The impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may well all be intuitive facts without a shadow of intellectual relation.

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