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INTUITION AND ART

Corollaries and explanations-Identity of art and of intuitive know-

ledge-No specific difference—No difference of intensity-Dif-
ference extensive and empirical-Artistic genius-Content and
form in Æsthetic-Critique of the imitation of nature and of
the artistic illusion-Critique of art conceived as a sentimental,
not a theoretic fact—The origin of Æsthetic, and sentiment-
Critique of the theory of æsthetic senses—Unity and indivisi-
bility of the work of art-Art as deliverer

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Various meanings of the word sentiment-Sentiment as activity-

Identification of sentiment with economic activity-Critique of
hedonism-Sentiment as concomitant of every form of activity

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- Meaning of certain ordinary distinctions of sentiments-
Value and disvalue: the contraries and their union — The
beautiful as the value of expression, or expression without
adjunct—The ugly and the elements of beauty that constitute it
-Illusion that there exist expressions neither beautiful nor
ugly–Proper æsthetic sentiments and concomitant and acci-
dental sentiments-Critique of apparent sentiments .

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XVII

THE HISTORY OF LITERATURE AND OF ART

Historical criticism in literature and art. Its importance-Artistic

and literary history. Its distinction from historical criticism
and from the æsthetic judgment—The method of artistic and

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