Æsthetic as Science of Expression and General LinguisticMacmillan and Company, Limited, 1909 - 403 pagine |
Dall'interno del libro
Risultati 1-5 di 39
Pagina 50
... classes and types , formulate laws , show in their own way how one fact arises out of other facts ; but in their progress they are always met with facts which are known intuitively and historically . Even geometry now states that it ...
... classes and types , formulate laws , show in their own way how one fact arises out of other facts ; but in their progress they are always met with facts which are known intuitively and historically . Even geometry now states that it ...
Pagina 57
... thought of the poet ; a verse or a strophe is added to the Adone , expressing what the poet would like to make a part of his public swallow ; Critique of the theory of artistic and literary classes . IV 57 CRITIQUE OF ERRORS.
... thought of the poet ; a verse or a strophe is added to the Adone , expressing what the poet would like to make a part of his public swallow ; Critique of the theory of artistic and literary classes . IV 57 CRITIQUE OF ERRORS.
Pagina 58
... classes , which still has vogue in literary treatises , and disturbs the critics and the historians of art . Let us observe its genesis . The human mind can pass from the æsthetic to the logical , just because the former is a first step ...
... classes , which still has vogue in literary treatises , and disturbs the critics and the historians of art . Let us observe its genesis . The human mind can pass from the æsthetic to the logical , just because the former is a first step ...
Pagina 60
... classes . What is the æsthetic form of domestic life , of knighthood , of the idyll , of cruelty , and so forth ? How should these contents be represented ? Such is the absurd problem implied in the theory of artistic and literary classes ...
... classes . What is the æsthetic form of domestic life , of knighthood , of the idyll , of cruelty , and so forth ? How should these contents be represented ? Such is the absurd problem implied in the theory of artistic and literary classes ...
Pagina 61
... class and upset the ideas of the critics , who have thus been obliged to enlarge the number of classes , until finally even this enlargement has proved too narrow , owing to the appearance of new works of art , which are naturally ...
... class and upset the ideas of the critics , who have thus been obliged to enlarge the number of classes , until finally even this enlargement has proved too narrow , owing to the appearance of new works of art , which are naturally ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract action admit æsthetic activity æsthetic fact æstheticians affirmation already altogether appear arises Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error Esthetic ethical exist external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination impressions individual intellectual intellectualist intuitive knowledge judgments Kant knowledge language laws Leibnitz Linguistic logical looked lyric means merely metaphysical moral mystical natural sciences noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity precisely problem production propositions pure intuition reality reason representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic theory things thought tion true truth ugly unity universal Vico Winckelmann word writers
Brani popolari
Pagina 1 - KNOWLEDGE HAS TWO FORMS: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the intellect; knowledge of the individual or knowledge of the universal; of individual things or of the relations between them: it is, in fact, productive either of images or of concepts.
Pagina 6 - Intuition is the undifferentiated unity of the perception of the real and of the simple image of the possible. ^ In our intuitions we do not oppose ourselves as empirical beings to external reality, but we simply objectify our impressions, whatever they be.
Pagina 113 - One can ask oneself how an ornament can be joined to expression. Externally ? In that case it must always remain separate. Internally? In that case, either it does not assist expression and mars it ; or it does form part of it and is not ornament, but a constituent element of expression, indistinguishable from the whole.
Pagina 35 - By elaborating his impressions, man frees himself from them. By objectifying them, he removes them from him and makes himself their superior. The liberating and purifying function of art is another aspect and another formula of its character as activity. Activity is the deliverer, just because it drives away passivity.
Pagina 84 - The true artist, in fact, finds himself big with his theme, he knows not how; he feels the moment of birth drawing near, but he cannot will it or not will it.
Pagina 27 - The proposition that art is imitation of nature has also several meanings. Sometimes truths have been expressed or at least shadowed forth in these words, sometimes errors have been promulgated. More frequently, no definite thought has been expressed at all. One of the scientifically legitimate meanings occurs when "imitation" is understood as representation or intuition of nature, a form of knowledge. And when the phrase is used with this intention, and in order to emphasize the spiritual character...
Pagina 22 - Certain men have a greater aptitude, a more frequent inclination fully to express certain complex states of the soul. These men are known in ordinary language as artists. Some very complicated and difficult expressions are not often achieved, and these are called works of art. The limits of the expression-intuitions that are called art, as opposed to those that are vulgarly called non-art, are empirical and impossible to define. If an epigram be art, why not a simple word?
Pagina 83 - If," he goes on : If after this we should open our mouths and will to open them, to speak, or our throats to sing, and declare in a loud voice and with extended throat what we have completely said or sung to ourselves ; or if we should stretch out and will to stretch out our hands to touch the notes of the piano, or to take up the brushes and the chisel, making thus in detail those movements which we have already done rapidly, and doing so in such a way as to leave more or less durable traces ; this...
Pagina 16 - This passage is sometimes far from easy. It has been observed by those who have best studied the psychology of artists that when, after having given a rapid glance at any one, they attempt to obtain a real intuition of him, in order, for example, to paint his portrait, then this ordinary vision, that seemed so precise, so lively, reveals itself as little better than nothing.
Pagina 3 - The impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may well all be intuitive facts without a shadow of intellectual relation.