Ęsthetic as Science of Expression and General LinguisticMacmillan and Company, Limited, 1909 - 403 pagine |
Dall'interno del libro
Risultati 1-5 di 37
Pagina 46
... ideal character of the intuition or first perception , in which all is real and therefore nothing is real . The mind forms the concepts of external and internal at a later stage , as it does those of what has happened and of what is ...
... ideal character of the intuition or first perception , in which all is real and therefore nothing is real . The mind forms the concepts of external and internal at a later stage , as it does those of what has happened and of what is ...
Pagina 56
... ideal in itself . Continuing to correct these errors , or to make of the allegory . clear equivoques , we will note that the symbol has sometimes been given as essence of art . Now , if the symbol be given as inseparable from the ...
... ideal in itself . Continuing to correct these errors , or to make of the allegory . clear equivoques , we will note that the symbol has sometimes been given as essence of art . Now , if the symbol be given as inseparable from the ...
Pagina 57
Benedetto Croce. intuition itself , which always has an ideal character . There is no double - bottom to art , but one only ; in art all is symbolical , because all is ideal . But if the symbol be looked upon as separable - if on the one ...
Benedetto Croce. intuition itself , which always has an ideal character . There is no double - bottom to art , but one only ; in art all is symbolical , because all is ideal . But if the symbol be looked upon as separable - if on the one ...
Pagina 65
... ideal history , for a sociology , for a historical psychology , or however may be other- wise entitled or described a science whose object is to extract from history , universal laws and concepts . Of what kind must be these laws ...
... ideal history , for a sociology , for a historical psychology , or however may be other- wise entitled or described a science whose object is to extract from history , universal laws and concepts . Of what kind must be these laws ...
Pagina 93
... ideal of the perfect rascal , making the small and timid little thieves who are present at his burlesque confession exclaim : " What manner of man is this , whose perversity , neither age , nor infirmity , nor the fear of death , which ...
... ideal of the perfect rascal , making the small and timid little thieves who are present at his burlesque confession exclaim : " What manner of man is this , whose perversity , neither age , nor infirmity , nor the fear of death , which ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract action admit ęsthetic activity ęsthetic fact ęstheticians affirmation already altogether appear arises Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error Esthetic ethical exist external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination impressions individual intellectual intellectualist intuitive knowledge judgments Kant knowledge language laws Leibnitz Linguistic logical looked lyric means merely metaphysical moral mystical natural sciences noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity precisely problem production propositions pure intuition reality reason representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic theory things thought tion true truth ugly unity universal Vico Winckelmann word writers
Brani popolari
Pagina 1 - KNOWLEDGE HAS TWO FORMS: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the intellect; knowledge of the individual or knowledge of the universal; of individual things or of the relations between them: it is, in fact, productive either of images or of concepts.
Pagina 6 - Intuition is the undifferentiated unity of the perception of the real and of the simple image of the possible. ^ In our intuitions we do not oppose ourselves as empirical beings to external reality, but we simply objectify our impressions, whatever they be.
Pagina 113 - One can ask oneself how an ornament can be joined to expression. Externally ? In that case it must always remain separate. Internally? In that case, either it does not assist expression and mars it ; or it does form part of it and is not ornament, but a constituent element of expression, indistinguishable from the whole.
Pagina 35 - By elaborating his impressions, man frees himself from them. By objectifying them, he removes them from him and makes himself their superior. The liberating and purifying function of art is another aspect and another formula of its character as activity. Activity is the deliverer, just because it drives away passivity.
Pagina 84 - The true artist, in fact, finds himself big with his theme, he knows not how; he feels the moment of birth drawing near, but he cannot will it or not will it.
Pagina 27 - The proposition that art is imitation of nature has also several meanings. Sometimes truths have been expressed or at least shadowed forth in these words, sometimes errors have been promulgated. More frequently, no definite thought has been expressed at all. One of the scientifically legitimate meanings occurs when "imitation" is understood as representation or intuition of nature, a form of knowledge. And when the phrase is used with this intention, and in order to emphasize the spiritual character...
Pagina 22 - Certain men have a greater aptitude, a more frequent inclination fully to express certain complex states of the soul. These men are known in ordinary language as artists. Some very complicated and difficult expressions are not often achieved, and these are called works of art. The limits of the expression-intuitions that are called art, as opposed to those that are vulgarly called non-art, are empirical and impossible to define. If an epigram be art, why not a simple word?
Pagina 83 - If," he goes on : If after this we should open our mouths and will to open them, to speak, or our throats to sing, and declare in a loud voice and with extended throat what we have completely said or sung to ourselves ; or if we should stretch out and will to stretch out our hands to touch the notes of the piano, or to take up the brushes and the chisel, making thus in detail those movements which we have already done rapidly, and doing so in such a way as to leave more or less durable traces ; this...
Pagina 16 - This passage is sometimes far from easy. It has been observed by those who have best studied the psychology of artists that when, after having given a rapid glance at any one, they attempt to obtain a real intuition of him, in order, for example, to paint his portrait, then this ordinary vision, that seemed so precise, so lively, reveals itself as little better than nothing.
Pagina 3 - The impression of a moonlight scene by a painter; the outline of a country drawn by a cartographer; a musical motive, tender or energetic; the words of a sighing lyric, or those with which we ask, command and lament in ordinary life, may well all be intuitive facts without a shadow of intellectual relation.