Hogarth and His Times: Serious Comedy
University of California Press, 1 gen 1997 - 208 pagine
William Hogarth (1697-1764) is an artist whose popularity has never waned since his own day. His reputation has been based almost entirely on his prints, although he is now recognized as one of the great painters of the British school. This volume, published to mark the tercentenary of his birth, looks at the varied reactions to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people.
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Finding An Audience
Hogarth and The Spirit of Party
The Political Stage
The Analysis of Beauty
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Analysis of Beauty Anonymous Apprentice aristocratic artist Beggar's Opera bequeathed by Felix British Museum Bute caricature catalogue claim collection comedy Comic common Connoisseurs contemporaries contrast copies copper plate court dedicated Doring drawing Dutch Earl eighteenth century England English Etching and engraving exhibition expressed fame Felix Slade figure Foundling frontispiece George Harlot's Progress Hazlitt Hogarth's moral Hogarth's prints Hogarthian Horace Walpole Hudibras idea imitation Industry and Idleness Italian John Juvenal Juvenal's King Lamb Lichtenberg Line of Beauty literary London March to Finchley Marriage A-la-Mode moral series nation nature opposition original painting Paul before Felix Paul Sandby Paulson perhaps piracies poet political printmaker published Rake Rake's Progress Raphael represented Reynolds satire satirists satyr scene sense Serjeant Painter social society Stages of Cruelty Street suggest taste Tate Gallery theatre Thornhill ticket tion Tory Vertue vice virtue Walpole's Wilkes William Hogarth woodcut