Plato's Theory of ArtRoutledge, 23 giu 2014 - 324 pagine First published in 2000. This is Volume VII of ten in the International Library of Philosophy in a series on Ancient Philosophy. Written around 1953, this book looks at Plato and his ideas on art based on his ‘Dialogues’. |
Sommario
| 1 | |
| 11 | |
II THE ORIGIN OF ART | 23 |
III THE NATURE OF ART I | 52 |
IV THE NATURE OF ART II | 75 |
V THE FUNCTIONS OF ART I | 93 |
VI THE FUNCTIONS OF ART II | 109 |
HOW TO MEET THEM I | 136 |
X THE JUDGE IN MATTERS OF ART | 192 |
XI THE AESTHETICAL VALUEJUDGEMENT | 210 |
XII SENSATION AND AESTHETIC QUALITY | 234 |
XIII FREEDOM AND ARTISTS IN THE MODEL CITY | 265 |
XIV THE FUNCTION OF KNOWLEDGE IN ART | 283 |
| 305 | |
| 308 | |
| 312 | |
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accept actual aesthetic Aristotle artist Athenians Athens beauty biosocial carpenter charm citizens citizenship civic Cleinias co-operation colours com con Crat Critias criticism Croce dancing Dewey Dialogues Eleatic Eleatic school empirical experience expression F. C. S. Schiller feeling formulation function Glaucon gorean Gorg Gorgias Greek Hellenic Heraclitus human humanist idea ideal community idealists IE Rep imitation insight inspiration intellectual intelligence John Dewey judgement Laws living look mathematical Menex merely mimesis mind model city modern musician nature non-logical objective painter painting Parm Parmenides patterns Phaedr Phdo Phil philosophers physical Plato Plato's Theory play poet poetry position practical principle of ideality pro professional Protagoras Prtg Pythagorean R. C. Lodge R. G. Collingwood reality regarded Republic rhythms scientists sense social Socrates Soph sort spirit Symp technical technique Theaet Theaetetus thing Timaeus tones trained transcendental unity word writing