Generic Enrichment in Vergil and HoraceOUP Oxford, 2 ago 2007 - 262 pagine S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literarysubject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can bedetected in the Latin poetry of the first century BC. |
Dall'interno del libro
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Pagina 16
... repertoire ; modes , argues Fowler , ' have always an incomplete repertoire , a selection only of the corresponding kind's features , and one from which overall external structure is absent . While genres can be described by nouns ...
... repertoire ; modes , argues Fowler , ' have always an incomplete repertoire , a selection only of the corresponding kind's features , and one from which overall external structure is absent . While genres can be described by nouns ...
Pagina 21
... REPERTOIRE I have suggested that identifying the genre ( s ) of a poetic work in the Roman world depended in practice on a ' repertoire of features ' which could be recognized by its readers . I have also argued that generic ...
... REPERTOIRE I have suggested that identifying the genre ( s ) of a poetic work in the Roman world depended in practice on a ' repertoire of features ' which could be recognized by its readers . I have also argued that generic ...
Pagina 22
... repertoire into three basic aspects : A Formal repertoire : formal or technical features recognizable by readers as associated with a distinct literary genre ; B Thematic repertoire : thematic features recognizable by readers as ...
... repertoire into three basic aspects : A Formal repertoire : formal or technical features recognizable by readers as associated with a distinct literary genre ; B Thematic repertoire : thematic features recognizable by readers as ...
Sommario
Generic Groundwork | 1 |
Beyond Pastoral? Generic Pressures in Vergils Eclogues | 34 |
Horace Satires 1 | 75 |
Copyright | |
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Aeneas Aeneid allusion amores Apollo appropriate Archilochean Archilochus argued Aristaeus atque Augustan poetry Augustus battles bees Caesar Caesar/Augustus Callimachean Callimachus Catullus Catullus 101 clearly context didactic epic echoes Eclogue Eclogue book elegiac elegy elements Ennius enrichment epigram Epode Epode book epyllion erotic famous framework Gallus Georgics Greek haec Harrison Hellenistic Hesiodic hexameter Hipponax Homeric Horace Horace's Odes Horatian iambic iambus Iliad incorporation interaction Latin laudes Italiae lines literary genres literary texture love-elegy Lucilius Lucretian Lucretius Lyne lyric Maecenas material metageneric Metamorphoses metapoetical metre modal form Muses narrative neque Nisbet and Hubbard non-pastoral noted Odyssey Ovid Ovid's Parthenius passage pastoral Pindar poem poem's poet poetic poetry praise Propertius quae recalls repertoire Roman Rome Satires sepulchral epigram Sibylline Silenus song stanza story suggests Teucer thematic themes Theocritean Theocritus tibi Tibullus topic tradition tragedy tragic Varius Venus Vergil's Vergilian καὶ