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Pagina vii
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
As was the case with Part II . , it receives a few slight emendations from the Quarto ( Q I , of which it is an expanded form ) known as The True Tragedy ( and forming the second part of The Whole Contention ) which was first printed in ...
Pagina viii
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
... quarto with other quartos ( of plays by or attributed to Shakespeare ) of various dates ( 1600 , 1608 , 1619 ) , and the sus- picion that all were really printed in 1619 , see A. W. Pollard , Shakespeare Folios and Quartos , etc.
Pagina ix
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : " Her looks are all repleat with maiestie " ; at IV . vi . 71 there is another line : " Thy lookes are all repleat with maiestie .
For example , in the present play , there is a Quarto line ( at III . ii . 84 ) : " Her looks are all repleat with maiestie " ; at IV . vi . 71 there is another line : " Thy lookes are all repleat with maiestie .
Pagina xv
In the Quarto the rhythm is destroyed by simple carelessness of printing sometimes ( 36-38 ) , or by actual misprinting of words perhaps ( 20-23 ) , or by such corruption in the text ( at 146 ) that the lines are omitted as hopeless .
In the Quarto the rhythm is destroyed by simple carelessness of printing sometimes ( 36-38 ) , or by actual misprinting of words perhaps ( 20-23 ) , or by such corruption in the text ( at 146 ) that the lines are omitted as hopeless .
Pagina xviii
The most interesting thing about this scene is its return to the Quarto - because the latter was more carefully done here . Edward is again Act v . Scene ii . The death of Warwick . brought into prominence to open the scene ...
The most interesting thing about this scene is its return to the Quarto - because the latter was more carefully done here . Edward is again Act v . Scene ii . The death of Warwick . brought into prominence to open the scene ...
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Parole e frasi comuni
arms battle bear blood brother called Clar Clarence Clif Clifford common Compare Contention Continuation crown death doth Duke earlier Edward Enter erle Exeunt expression eyes Faerie Queene father fear field fight follow France friends give Glou Gloucester Greene Hall hand hast hath head hear heart hence Henry VI hope John King King Edward King Henry Kyng later leave live London looks Lord March Margaret Marlowe mean mind Montague never occurs omitted Q once Oxford passage Peele play poor Prince Quarto Queene quoted reference rest Rich Richard scene Shake Shakespeare soldiers Spanish Tragedy speak speech Spenser stand stay sweet sword Tamburlaine tears tell thee thou thought True Tragedy unto viii Warwick York
Brani popolari
Pagina 66 - Would I were dead! if God's good will were so; For what is in this world but grief and woe? O God! methinks, it were a happy life, To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours bring about the day, How many days will finish up the year, How many years a mortal man may live.
Pagina 95 - I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school.
Pagina 165 - The bird that hath been limed in a bush, With trembling wings misdoubteth every bush : And I, the hapless male to one sweet bird, Have now the fatal object in my eye, Where my poor young was lim'd, was caught, and kill'd.