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THOMAS GRAY.

THOMAS HOMAS GRAY, a distinguished poet, was the son laureat, vacant by the death of Cibber, was offered of a money-scrivener in London, where he was to Gray, but declined by him. In the same year he born in 1716. He received his education at Eton-published two odes, “On the Progress of Poesy," school, whence he was sent to the university of and "The Bard," which were not so popular as his Cambridge, and entered as a pensioner at St. Pe- Elegy had been, chiefly, perhaps, because they were ter's College. He left Cambridge in 1738, and less understood. The uniform life passed by this occupied a set of chambers in the Inner Temple, eminent person admits of few details, but the transfor the purpose of studying the law. From this action respecting the professorship of modern history intention he was diverted by an invitation to accom- at Cambridge, a place worth four hundred pounds pany Mr. Horace Walpole, son of the celebrated a year, is worthy of some notice. When the situstatesman, with whom he had made a connection at ation became vacant in Lord Bute's administration, Eton, in a tour through Europe. Some disagree- it was modestly asked for by Gray, but had already ment, of which Mr. Walpole generously took the been bespoken by another. On a second vacancy blame, caused them to separate in Italy; and Gray in 1768, the Duke of Grafton being now in power, returned to England in September, 1741, two months it was, "unsolicited and unsuspected," conferred before his father's death. Gray, who now depended upon him; in return for which he wrote his "Ode chiefly upon his mother and aunt, left the law, and for Music," for the installation of that nobleman as returned to his retirement at Cambridge. In the chancellor of the university. This professorship, next year he had the misfortune to lose his dear though founded in 1724, had hitherto remained a friend West, also an Eton scholar, and son to the perfect sinecure; but Gray prepared himself to Chancellor of Ireland, which left a vacancy in his execute the duties of his office. Such, however, affections, that seems never to have been supplied. were the baneful effects of habitual indolence, that, From this time his residence was chiefly at Cam- with a mind replete with ancient and modern knowbridge, to which he was probably attached by an in- ledge, he found himself unable to proceed farther satiable love of books, which he was unable to gra- than to draw a plan for his inauguration speech. tify from his own stores. Some years passed in this But his health was now declining; an irregular favourite indulgence, in which his exquisite learning hereditary gout made more frequent attacks than and poetic talents were only known to a few friends; formerly; and at length, while he was dining in the and it was not till 1747, that his "Ode on a distant College-hall, he was seized with a complaint in the Prospect of Eton College" made its appearance stomach, which carried him off on July 30. 1771, in before the public. It was in 1751 that his cele- the fifty-fifth year of his age. His remains were brated "Elegy written in a Country Church-yard," deposited, with those of his mother and aunt, in the chiefly composed some years before, and even now church-yard of Stoke-Pogis, Buckinghamshire. sent into the world without the author's name, made its way to the press. Few poems were ever so popular: it soon ran through eleven editions; was translated into Latin verse, and has ever since borne the marks of being one of the most favourite productions of the British Muse.

In the manners of Gray there was a degree of effeminacy and fastidiousness which exposed him to the character of a fribble; and a few riotous young inen of fortune in his college thought proper to make him a subject for their boisterous tricks. He made remonstrances to the heads of the society upon this usage, which being treated, as he thought, without due attention, he removed in 1756 to Pembroke-hall. In the next year, the office of poet

It is exclusively as a poet that we record the name of Gray; and it will, perhaps, be thought that we borrow too large a share from a single small volume; yet this should be considered as indicative of the high rank which he has attained, compared with the number of his compositions. With respect to his character as a man of learning, since his acquisitions were entirely for his own use, and produced no fruits for the public, it has no claim to particular notice. For though he has been called by one of his admirers "perhaps the most learned man in Europe," never was learning more thrown away. A few picces of Latin poetry are all that he has to produce.

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For thee, who, mindful of th' unhonour'd dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall inquire thy fate,

Haply some hoary-headed swain may say,

Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away

To meet the Sun upon the upland lawn.

"There at the foot of yonder nodding beech, That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that bubbles by.

"Hard by yon wood, now smiling as in scorn, Muttering his wayward fancies he would rove, Now drooping woeful wan, like one forlorn,

Or craz'd with care, or cross'd in hopeless love.

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Oh! sovereign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen cares,

And frantic passions, hear thy soft control:
On Thracia's hills the lord of war
Has curb'd the fury of his car,

And dropp'd his thirsty lance at thy command:
Perching on the scepter'd hand

Of Jove, thy magic lulls the feather'd king
With ruffled plumes, and flagging wing:
Quench'd in dark clouds of slumber lie
The terrour of his beak, and lightning of his eye.

Thee the voice, the dance, obey,
Temper'd to thy warbled lay,
O'er Idalia's velvet-green
The rosy-crowned Loves are seen,
On Cytherea's day,

With antic sports and blue-ey'd pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.

Slow-melting strains their queen's approach declare :
Where'er she turns, the Graces homage pay,
With arts sublime, that float upon the air,
In gliding state she wins her easy way:
O'er her warm cheek, and rising bosom, move
The bloom of young Desire, and purple light of Love.

II.

Man's feeble race what ills await, Labour and Penury, the racks of Pain, Disease, and Sorrow's weeping train,

Thine too these golden keys, immortal boy!
This can unlock the gates of Joy ;
Of Horrour that, and thrilling fears,

Or ope the sacred source of sympathetic tears.”

Nor second he †, that rode sublime

Upon the seraph-wings of Ecstasy,
The secrets of th' abyss to spy.

He pass'd the flaming bounds of place and time:
The living throne, the sapphire-blaze,
Where angels tremble, while they gaze,
He saw; but, blasted with excess of light,
Clos'd his eyes in endless night.

Behold, where Dryden's less presumptuous car,
Wide o'er the fields of Glory bear

Two coursers of ethereal race‡,

[ing pace.

With necks in thunder cloth'd, and long-resound

And Death, sad refuge from the storms of Fate! Hark, his hands the lyre explore!

The fond complaint, my song, disprove,

And justify the laws of Jove.

Say, has he given in vain the heavenly Muse?
Night, and all her sickly dews,

Her spectres wan, and birds of boding cry,
He gives to range the dreary sky:
Till down the eastern cliffs afar
Hyperion's march they spy, and glittering shafts of

In climes beyond the solar road,

[war.

Where shaggy forms o'er ice-built mountains roam,
The Muse has broke the twilight gloom

To cheer the shivering native's dull abode.
And oft, beneath the odorous shade
Of Chili's boundless forests laid,

She deigns to hear the savage youth repeat,

In loose numbers wildly sweet,

Their feather-cinctur'd chiefs, and dusky loves.
Her track, where'er the goddess roves,
Glory pursue, and generous Shame,

Th' unconquerable mind, and Freedom's holy flame.

Woods, that wave o'er Delphi's steep,
Isles, that crown th' Ægean deep,
Fields, that cool Ilissus laves,
Or where Mæander's amber waves
In lingering labyrinths creep,

How do your tuneful Echoes languish
Mute, but to the voice of Anguish?
Where each old poetic mountain
Inspiration breath'd around:
Every shade and hallow'd fountain
Murmur'd deep a solemn sound:
Till the sad Nine, in Greece's evil hour,

Left their Parnassus, for the Latian plains.
Alike they scorn the pomp of tyrant-power,

And coward Vice, that revels in her chains. When Latium had her lofty spirit lost, They sought, oh Albion! next thy sea-encircled coast.

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Bright-ey'd Fancy, hovering o'er,
Scatters from her pictur'd urn

Thoughts that breathe, and words that burn.

But ah! 't is heard no more

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Lo! where the rosy-bosom'd Hours,
Fair Venus' train appear,
Disclose the long-expecting flowers,
And wake the purple year!
The attic warbler pours her throat,
Responsive to the cuckoo's note,

The untaught harmony of Spring: While, whispering pleasure as they fly, Cool Zephyrs through the clear blue sky Their gather'd fragrance fling.

Where'er the oak's thick branches stretch
A broader, browner shade;
Where'er the rude and moss-grown beech
O'er-canopies the glade,

Beside some water's rushy brink
With me the Muse shall sit, and think

(At ease reclin'd in rustic state)
How vain the ardour of the crowd,
How low, how little are the proud,
How indigent the great!

Still is the toiling hand of Care :

The panting herds repose:

Yet hark, how through the peopled air
The busy murmur glows!

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"HENCE, avaunt, ('t is holy ground,)
Comus and his midnight-crew,
And Ignorance with looks profound,
And dreaming Sloth of pallid hue,
Mad Sedition's cry profane,
Servitude that hugs her chain,
Nor in these consecrated bowers

Where willowy Camus lingers with delight! Oft at the blush of dawn

I trod your level lawn,

Oft woo'd the gleam of Cynthia silver-bright
In cloisters dim, far from the haunts of Folly,
With Freedom by my side, and soft-ey'd Melan-
choly."

But hark! the portals sound, and pacing forth
With solemn steps and slow,

High potentates and dames of royal birth,
And mitred fathers in long order go:
Great Edward*, with the lilies on his brow,
From haughty Gallia torn,

And sad Chatillon †, on her bridal morn

That wept her bleeding love, and princely Claret,
And Anjou's heroine, and the paler rose |,
The rival of her crown and of her woes,

And either Henry ¶ there,

The murder'd saint, and the majestic lord,
That broke the bonds of Rome.

(Their tears, their little triumphs o'er,
Their human passions now no more,
Save Charity, that glows beyond the tomb),
All that on Granta's fruitful plain
Rich streams of regal bounty pour'd,
And bade these aweful fanes and turrets rise,
To hail their Fitzroy's festal morning come;
And thus they speak in soft accord
The liquid language of the skies.

"What is grandeur, what is power?
Heavier toil, superior pain.
What the bright reward we gain?
The grateful memory of the good.
Sweet is the breath of vernal shower,
The bee's collected treasure's sweet,
Sweet music's melting fall, but sweeter yet
The still small voice of Gratitude."

* Edward the Third; who added the fleur-delis of France to the arms of England. He founded Trinity College.

Mary de Valentia, Countess of Pembroke, daughter of Guy de Chatillon, Comte de St. Paul in France of whom tradition says, that her hus

Let painted Flattery hide her serpent-train in flowers. band, Audemar de Valentia, Earl of Pembroke, was

Nor Envy base, nor creeping Gain,

Dare the Muse's walk to stain,

While bright-ey'd Science watches round: Hence, away, 't is holy ground!"

From yonder realms of empyrean day
Bursts on my ear th' indignant lay :
There sit the sainted sage, the bard divine,
The few, whom genius gave to shine
Through every unborn age and undiscover'd clime.
Rapt in celestial transport they,
Yet hither oft a glance from high
They send of tender sympathy

To bless the place, where on their opening soul
First the genuine ardour stole.

'T was Milton struck the deep-ton'd shell,
And, as the choral warblings round him swell,
Meek Newton's self bends from his state sublime,
And nods his hoary head, and listens to the rhyme.

"Ye brown o'er-arching groves, That Contemplation loves,

slain at a tournament on the day of his nuptials. She was the foundress of Pembroke College or Hall, under the name of Aula Mariæ de Valentia.

Elizabeth de Burg, Countess of Clare, was wife of John de Burg, son and heir of the Earl of Ulster, and daughter of Gilbert de Clare, Earl of Gloucester, by Joan of Acres, daughter of Edward the First. Hence the poet gives her the epithet of princely. She founded Clare-Hall.

§ Margaret of Anjou, wife of Henry the Sixth, foundress of Queen's College. The poet had celebrated her conjugal fidelity in a former ode.

Elizabeth Widville, wife of Edward the Fourth (hence called the paler rose, as being of the house of York). She added to the foundation of Margaret of Anjou.

Henry the Sixth and Eighth. The former the founder of King's, the latter the greatest benefactor to Trinity College.

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