AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 4
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Pagina 6
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely
distinguished by one of the senses , but felt emotionally in its full present
character . But so far as it is ęsthetic content , it is not more than thus directly felt .
Pagina 9
Mr . Dewey , in fact , calls this ęsthetic surface the quality of the process . He tells
us that what differentiates the ęsthetic is what marks off an experience from
experience in general . As in the continuity of indifferent flux emotional tone is
stirred ...
Mr . Dewey , in fact , calls this ęsthetic surface the quality of the process . He tells
us that what differentiates the ęsthetic is what marks off an experience from
experience in general . As in the continuity of indifferent flux emotional tone is
stirred ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole