Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 6
... Æsthetic surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so ... æsthetic aspect of experience 6 ÆSTHETIC ANALYSIS.
... Æsthetic surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so ... æsthetic aspect of experience 6 ÆSTHETIC ANALYSIS.
Pagina 59
... æsthetic knowledge of æsthetic structures and their constituents as æsthetic sur- face . The relatively simple analytical basis just outlined is no doubt fundamental and even necessary to æsthetic comprehension . But we shall have to ...
... æsthetic knowledge of æsthetic structures and their constituents as æsthetic sur- face . The relatively simple analytical basis just outlined is no doubt fundamental and even necessary to æsthetic comprehension . But we shall have to ...
Pagina 159
... æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes , particularly to representation , it is no longer æsthetic ...
... æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior purposes , particularly to representation , it is no longer æsthetic ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words