Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina xi
David Wight Prall. it afford the audience an outlet for relaxation or escape ( when LSD or a warm bath are not available ) ? Prall was well aware of the impossibility of one person setting himself up as authority on several arts ...
David Wight Prall. it afford the audience an outlet for relaxation or escape ( when LSD or a warm bath are not available ) ? Prall was well aware of the impossibility of one person setting himself up as authority on several arts ...
Pagina xxvi
... Prall justice , we should bear in mind that his preoccupation with the har- monic overtones was simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting ...
... Prall justice , we should bear in mind that his preoccupation with the har- monic overtones was simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting ...
Pagina
David Wight Prall. Advance acclaim for D. W. Prall's books : " I learn with real joy of the publication of David Prall's two key books . They were my bible at col- lege , and I find , years later , that their lustre , insight , and sense ...
David Wight Prall. Advance acclaim for D. W. Prall's books : " I learn with real joy of the publication of David Prall's two key books . They were my bible at col- lege , and I find , years later , that their lustre , insight , and sense ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words