Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 68
... Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the terms , what we have now found , if our Tonic is C , is the ...
... Subdominant . In terms of di- rection and pitch distance the Subdominant is as far from the Tonic in one direction as the Dominant is in the other . For those familiar with the terms , what we have now found , if our Tonic is C , is the ...
Pagina 69
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
... Subdominant , the pitches at those intervals that are most audibly defined in the sounds of the Dominant and the Subdominant themselves , we shall have all the notes of the scale . These are the notes related in pitch to the Dominant ...
Pagina 70
David Wight Prall. but as Subdominant of the Dominant , and Dominant of the Subdominant . And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the ...
David Wight Prall. but as Subdominant of the Dominant , and Dominant of the Subdominant . And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words