Ęsthetic Analysis |
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Pagina 67
The one of them that we have so far found, the Dominant, is thus most closely
related to the fundamental or Tonic in the sense that a considerable fraction of
the sound heard as the Tonic itself is at this pitch of the Dominant. And this pitch
is at ...
The one of them that we have so far found, the Dominant, is thus most closely
related to the fundamental or Tonic in the sense that a considerable fraction of
the sound heard as the Tonic itself is at this pitch of the Dominant. And this pitch
is at ...
Pagina 68
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant. In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other.
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant. In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other.
Pagina 69
note that we choose and call our Tonic, we have now found the notes related to it
as its Dominant, its Subdominant, and its Mediant, and defining the intervals
named fifth, fourth, and third. We have also made out the sense in which the
pitches ...
note that we choose and call our Tonic, we have now found the notes related to it
as its Dominant, its Subdominant, and its Mediant, and defining the intervals
named fifth, fourth, and third. We have also made out the sense in which the
pitches ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic objects aesthetic surface aesthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House loudness means Mediant merely musical scale nature notes obvious octave particular Pathetique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | Ęsthetic Analysis Apollo editions |
| Autore | David Wight Prall |
| Edizione | ristampa |
| Editore | Crowell, 1967 |
| Provenienza dell'originale | l'Universitą della Virginia |
| Digitalizzato | 20 gen 2010 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |