AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 68
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
The pitch relation of the Dominant to the Tonic is exactly the pitch relation of the
Tonic to the Subdominant . In terms of direction and pitch distance the
Subdominant is as far from the Tonic in one direction as the Dominant is in the
other .
Pagina 69
tes related as the to the note that we choose and call our Tonic , we have now
found the notes related to it as its Dominant , its Subdominant , and its Mediant ,
and defining the intervals named fifth , fourth , and third . We have also made out
the ...
tes related as the to the note that we choose and call our Tonic , we have now
found the notes related to it as its Dominant , its Subdominant , and its Mediant ,
and defining the intervals named fifth , fourth , and third . We have also made out
the ...
Pagina 71
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the
octave . The rates corresponding to pitches between the fundamental and its
octave ...
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the
octave . The rates corresponding to pitches between the fundamental and its
octave ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole
Informazioni bibliografiche
| Titolo | AEsthetic Analysis Apollo editions |
| Autore | David Wight Prall |
| Edizione | ristampa |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | l'Universitą della Virginia |
| Digitalizzato | 20 gen 2010 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |