Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 105
... accent . Polly - gamigh is no further from being intelligible written English than the sound of polygamy is from being spoken English if we throw heavy accents on the first and last syllables , instead of on the second , where the accent ...
... accent . Polly - gamigh is no further from being intelligible written English than the sound of polygamy is from being spoken English if we throw heavy accents on the first and last syllables , instead of on the second , where the accent ...
Pagina 122
... accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it ...
... accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it ...
Pagina 125
David Wight Prall. neither by accent alone , nor by temporal pattern alone , nor by ictus or pulse , but by all these ... accent , any more than every whole measure is , either in music or in verse . In any scheme of prosody , as in any ...
David Wight Prall. neither by accent alone , nor by temporal pattern alone , nor by ictus or pulse , but by all these ... accent , any more than every whole measure is , either in music or in verse . In any scheme of prosody , as in any ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words