Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 37
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
David Wight Prall. various aspects of the actual road this bare abstract meas- ure of distance . But obviously enough the length of a road is not separable from its actual being . It is just because we have abstracted for our purpose ...
Pagina 182
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
... actual being . The absolutely unitary is nothing . Nothing actual is unified except as constituted of the various . Abstract order itself , order as such , being by definition the order of nothing , cannot even be present to sense . And ...
Pagina 194
... actual concrete nature of the world we live in in conscious life , the world at that degree of qualitative ... actual variety of perspectives that our own experience acquaints us with . This sort of ignorance of the actual concrete ...
... actual concrete nature of the world we live in in conscious life , the world at that degree of qualitative ... actual variety of perspectives that our own experience acquaints us with . This sort of ignorance of the actual concrete ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words