AEsthetic Analysis |
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Risultati 1-3 di 51
Pagina 37
various aspects of the actual road this bare abstract measure of distance . But
obviously enough the length of a road is not separable from its actual being . It is
just because we have abstracted for our purpose exactly what remains concretely
a ...
various aspects of the actual road this bare abstract measure of distance . But
obviously enough the length of a road is not separable from its actual being . It is
just because we have abstracted for our purpose exactly what remains concretely
a ...
Pagina 182
It is the variety that is held together in it that gives it any concrete content at all ,
any actual being . The absolutely unitary is nothing . Nothing actual is unified
except as constituted of the various . Abstract order itself , order as such , being
by ...
It is the variety that is held together in it that gives it any concrete content at all ,
any actual being . The absolutely unitary is nothing . Nothing actual is unified
except as constituted of the various . Abstract order itself , order as such , being
by ...
Pagina 194
And this is an ignorance of the actual concrete nature of the world we live in in
conscious life , the world at that degree of qualitative differentiation that is
apparent from the point of view of the normal human senses . It is this sort of
ignorance ...
And this is an ignorance of the actual concrete nature of the world we live in in
conscious life , the world at that degree of qualitative differentiation that is
apparent from the point of view of the normal human senses . It is this sort of
ignorance ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole