Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 39
... adequate knowl- edge that we want . So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such apprehension in any particular ...
... adequate knowl- edge that we want . So in æsthetics itself . Its final aim is the body of knowledge that conditions direct and adequate apprehension , makes us at home among æsthetic objects . But such apprehension in any particular ...
Pagina 155
... adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this con- cretely present feeling . In one sense , then ...
... adequate to just the degree to which the apprehension of the constituent elements in the structure they compose , and present to a normally sensitive human organism , results in this con- cretely present feeling . In one sense , then ...
Pagina 159
... adequate expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior ...
... adequate expression . The lack of the former is fatal to æsthetic adequacy ; the possession of the latter is , for purposes of representation , often just as satis- factory as artistic genius . And once art is turned to ulterior ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words