Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina xiii
David Wight Prall. that a third book would have surpassed Aesthetic Analysis in the crystallization of an autonomous theory in the same proportion that this second book surpassed his first one , Aesthetic Judgment ( 1929 ) . In Aesthetic ...
David Wight Prall. that a third book would have surpassed Aesthetic Analysis in the crystallization of an autonomous theory in the same proportion that this second book surpassed his first one , Aesthetic Judgment ( 1929 ) . In Aesthetic ...
Pagina 2
... deal with very different kinds of things . So many of these have been designated as its one proper subject that without this preliminary state- ment of intention any particular choice might appear un- justifiably ÆSTHETIC ANALYSIS.
... deal with very different kinds of things . So many of these have been designated as its one proper subject that without this preliminary state- ment of intention any particular choice might appear un- justifiably ÆSTHETIC ANALYSIS.
Pagina 59
... æsthetic aspects of the physical media that are the bearers of asthetic form and quality . And æsthetics is forced into considering such media , and various non- æsthetic purposes , if for no other reason than to ... ÆSTHETIC ANALYSIS 59.
... æsthetic aspects of the physical media that are the bearers of asthetic form and quality . And æsthetics is forced into considering such media , and various non- æsthetic purposes , if for no other reason than to ... ÆSTHETIC ANALYSIS 59.
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words