Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina x
... art . When we then encounter his con- cept of " æsthetic surface , " we are reassured that such must be the case . Surface , capitalized and perhaps italicized , now joins the impressive list of transcendentals that purport to tell us what ...
... art . When we then encounter his con- cept of " æsthetic surface , " we are reassured that such must be the case . Surface , capitalized and perhaps italicized , now joins the impressive list of transcendentals that purport to tell us what ...
Pagina xviii
... art with our experience of the work of art itself . We are deluded into thinking that because we are obliged to talk about them with two different vocabularies they must indeed be separate . Here is where æsthetic surface plays a role ...
... art with our experience of the work of art itself . We are deluded into thinking that because we are obliged to talk about them with two different vocabularies they must indeed be separate . Here is where æsthetic surface plays a role ...
Pagina xix
... æsthetics is not primarily concerned with value judgments " ( page 179 ) ... surface ) . I contemplate it for itself rather than take it for granted as ... æsthetic " ( page 7 ) . Direct and immediate apprehension of æsthetic surface has ...
... æsthetics is not primarily concerned with value judgments " ( page 179 ) ... surface ) . I contemplate it for itself rather than take it for granted as ... æsthetic " ( page 7 ) . Direct and immediate apprehension of æsthetic surface has ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words