Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina xxiii
... art theory based on a given style or technique -the theory of tonality , for example - might very well profit from being explored as a language . But music is not theory , though one gets the impression more and more these days that it ...
... art theory based on a given style or technique -the theory of tonality , for example - might very well profit from being explored as a language . But music is not theory , though one gets the impression more and more these days that it ...
Pagina 22
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
... æsthetic objects , it will be necessary to give , abstractly and more or less systematically , an account of the basis of analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before ...
Pagina 190
David Wight Prall. of soundness in æsthetic theory or to compensating cyni- cism . But such cynicism , directed towards art itself or towards æsthetics , has its actual ground in thoroughly irrelevant data , supplied by such professed ...
David Wight Prall. of soundness in æsthetic theory or to compensating cyni- cism . But such cynicism , directed towards art itself or towards æsthetics , has its actual ground in thoroughly irrelevant data , supplied by such professed ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words