Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 10
... mistaking a physical account of vibration rates for æsthetics itself . On the other hand psychologists are likely to claim æsthetics as one branch of their science , and æstheticians bent on realistic study ΙΟ ÆSTHETIC ANALYSIS.
... mistaking a physical account of vibration rates for æsthetics itself . On the other hand psychologists are likely to claim æsthetics as one branch of their science , and æstheticians bent on realistic study ΙΟ ÆSTHETIC ANALYSIS.
Pagina 11
David Wight Prall. of their science , and æstheticians bent on realistic study are likely to speak as if they worked altogether within the limits of psychology . This would be cultivating an im- portant field , no doubt ; but it would be ...
David Wight Prall. of their science , and æstheticians bent on realistic study are likely to speak as if they worked altogether within the limits of psychology . This would be cultivating an im- portant field , no doubt ; but it would be ...
Pagina 87
... æstheticians and critics . Mr. Birkhoff is a courageous pioneer , who makes it plain that even in this one field of a limited number of fairly familiar plane polygons - a few of the most elementary two - dimensional spatial structures ...
... æstheticians and critics . Mr. Birkhoff is a courageous pioneer , who makes it plain that even in this one field of a limited number of fairly familiar plane polygons - a few of the most elementary two - dimensional spatial structures ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words