Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina xx
... analysis when our apprehension is improved . But some professional musicians not only analyze music every time they listen , but they also seem to imply that there is one analysis for every piece , thus investing the analysis with the ...
... analysis when our apprehension is improved . But some professional musicians not only analyze music every time they listen , but they also seem to imply that there is one analysis for every piece , thus investing the analysis with the ...
Pagina 22
... analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before beginning it , if we have defended or at least ex- hibited the relevance of such analysis , it is no doubt best to show at once ...
... analysis here suggested as the foundation of æsthetic theory . This will occupy another chapter . But before beginning it , if we have defended or at least ex- hibited the relevance of such analysis , it is no doubt best to show at once ...
Pagina 33
... analysis is applied to an actual physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change ...
... analysis is applied to an actual physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words