AEsthetic Analysis |
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Pagina xx
Since we leave the dictionary behind when we extract the word meaning ,
presumably we should dispense with the analysis when our apprehension is
improved . But some professional musicians not only analyze music every time
they listen ...
Since we leave the dictionary behind when we extract the word meaning ,
presumably we should dispense with the analysis when our apprehension is
improved . But some professional musicians not only analyze music every time
they listen ...
Pagina 32
CHAPTER II THE BASIS OF ĘSTHETIC ANALYSIS : ELEMENTS AND ORDERS
EFORE turning to the sort of analysis that constitutes ęsthetics , it may be best to
have some approximate notion of the nature as well as the function of ...
CHAPTER II THE BASIS OF ĘSTHETIC ANALYSIS : ELEMENTS AND ORDERS
EFORE turning to the sort of analysis that constitutes ęsthetics , it may be best to
have some approximate notion of the nature as well as the function of ...
Pagina 34
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole